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BLACKNESS - sequence III

dance structure

 

 

 

Fot. TO-EN

 

 

 

 

Blackness - the darkest colour

Anticolour

A place so dark, that no shadow can exist.

Absorption of light.

This blackness is black wind and black hair.

This blackness is black maps with stains of black gold.

It is black forest of Aokigahara, overgrowing the solidified lava.  

 

--

 

Blackness sucks like a black hole.

Annihilates but widens and expands.

Attracts, absorbs,  pushes.

 

 

 

 

 

Phot. Natalia Miedziak - Skonieczna, ©TO-EN Butoh Company 2019

 

 

 

Concept, choreography, dance

TO-EN

 

Costume

oluhi

 

Sound

Tautvydas Bajarkevičius (remix), Krzysztof Pajka

 

Stage design

Maciej Głowacki

 

Video

TO-EN

 

 

The BLACKNESS project is implemented in the form of sequences or scenes. Each sequence is a setting of landscapes based on ecological, natural or human disaster, which create a poetic structure within simple and suggestive images.

Oil - rich deposites, bird's suffering, desire to die, madness - all like a dark passion. Simple images made of black clay, sand and oil.

 

 

 

 

 

Phot. Natalia Miedziak - Skonieczna, ©TO-EN Butoh Company 2019

 

 

 

 

BLACKNESS PROJECT SHOWS:

 

29.01.2016, Manhattan Gallery (Lodz, Poland) - Blackness - sequence I

2016, exhibition Butoh dance - photography

9.12.2016, 2 Windows Theatre / Shakespeare Theatre (Gdansk, Poland) - Blackness - sequence II

8.4.2018, "KLAMRA" Festival, (Torun, Poland) - Blackness - sequence II // vol.2.

21.7.2019, Oliwa Town Hall of Culture (Gdansk, Poland) - Blackness - sequence III

 

 

 

 

 

Phot. Natalia Miedziak - Skonieczna, ©TO-EN Butoh Company 2019

 

 

 

 

INVITED ARTISTS

 

oluhi

https://oluhi.tumblr.com

 

 

 

 

 

Phot. Natalia Miedziak - Skonieczna, ©TO-EN Butoh Company 2019

 

 

 

 

 

Frame from the video, phot. TO-EN, ©TO-EN Butoh Company 2019

 

 

 

 

 

 

 

Phot. Natalia Miedziak - Skonieczna, ©TO-EN Butoh Company 2019

 

 

 

 

Read more about the project: WWW

 

 

 

The project was supported by the City of Gdansk within the Cultural Scholarship of the City of Gdansk.

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